Posted on March 31, 2014  
Before tribal art was watered down for the masses to adorn
 the biceps of Frat-Bro's and the sides Del-Taco cups, it was 
popularized by indigenous people around the world for thousands of years
 as a way to tell a story about their legacy and culture through 
beautiful, intricate patterns.
Peruvian artist Pamela Gallegos, creator of POM Graphic Design, has 
embarked on a one-woman quest to reclaim tribal art so that it can grow 
to become more associated with the elements and nature by snatching it 
out of the fat sweaty hands of Juggalos everywhere.
This week, we were fortunate to catch up with Pamela, as she 
discusses the inspiration and heritage behind her particular style of 
art.
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POW: The colorful patterns featured in your 
artwork have a distinct textile appearance, triggering mental images of 
dashikis, chullos, and tapestries. Is this intentional, and what would 
you say inspires this?
PAMELA: I really don’t feel that it is intentional, 
however I understand I have a distinct style that is inspired by my 
cultural background. This influences the end result of my pattern 
designs and illustrations. I am a Peruvian who was born in the US, but 
then moved back home around the age of 5 where I lived until I was 19. I
 then came back to the US to continue my Graphic Design career.
I started travelling within my country at a young age. During these travels I was completely captivated and 
“awe-inspired”
 by all that my fascinating culture had to offer. I visited mystical and
 majestic places such as Machu Picchu and Marcahuasi just to name a few.
 This played a big role in the development of the artist that I have 
become today. Travelling can be very inspiring, fulfilling and 
awakening.
In most of my illustrations and patterns you see not only a variety 
of colors and shapes, but also elements of nature in some abstract 
iconic way.
  
POW: Several
 photographs on your Facebook page showcase your ability to create 
intricate geometric patterns by hand. How long do one of these 
illustrations take to complete, and are you ever discouraged when 
thinking of all the detail that it will require?
PAMELA: It depends, but usually they take me about 2
 weeks maximum to complete. The detailed and intricate aspect of my art 
is the most fun part to me. Even when my hand starts cramping and 
loosing all sensitivity I keep going! It is my happy place, where I can 
let my mind wonder freely.
About my process, I start off by pencil not knowing exactly where I 
am going but always finding a way, creating harmony in my illustrative 
journey. Then I finish it of with Rapidograph technical pens and after 
that comes the digital component. I detail my design process step by 
step in my 
blog if you would like to check it out.
Mostly my designs are done freehand but from time to time I use tools
 such as a compass and rulers. What I enjoy the most is freehand 
illustration where my hand has a mind of its own and it’s singing and 
dancing to its own compass. I am never discouraged when I consider the 
intricacy of my work. I love it!
  
POW: As a Graphic Designer with a huge body of 
illustrative work, was there ever a time when a client was skeptical 
about your abilities to create something a little more tame/boring than 
what your artistic style dictates? If so, how did you overcome their 
apprehension?
PAMELA: Well, as an Artist/Graphic Designer I 
understand that what the industry demands from time to time is not 
exactly the “out of the box” artistic views that I express and that 
sometimes we got to go by standards, rules and trends. Most of the time I
 do accomplish and deliver what my clients require, however sometimes, 
if not most of the time, I must admit I do let my mind wonder off a bit 
more. Most of the time they end up loving it even if it’s not what they 
envisioned at the beginning.
  
POW: As
 someone who relies heavily on word of mouth, self-promotion, and 
trade/art shows to sell your creations, has showcasing your work as an 
artist on Prints On Wood allowed you to generate more interest among 
newer fans on a more national level?
PAMELA: Definitely yes! Fans and friends love to see
 a variety of products.  I consider your Prints On Wood to be 
spectacular, full of bold and vibrant colors; just as the artists would 
like to see their artwork produced.
  
POW: Speaking of fans,
 you're giving away a free 9 x 12 copy of your Soulmate wood print here 
at Prints On Wood. Could you tell us a little bit about the meaning 
behind this image and it's inspiration?
PAMELA: Of course, it is always delightful when we 
get to talk about the inspiration behind each design. I have always been
 captivated by the romanticism associated with the idea of having a 
“Soul Mate”. As I created this piece of art, I was inspired to reflect 
the connection of the two souls adding my tribal touch.
 

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